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Laura Muller |
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Associate Professor of Chemistry |
508-286-3961 Fax: 508-286-8278 |
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I am an associate professor of Chemistry at
Paint, either artistsŐ paint or house paint, is made
from two important components: pigment, which gives the paint its color, and
binder, the substance used to hold the pigment particles together. Throughout
history, many different materials have been used as binders. Shifts in media, from egg
tempera to drying oil for example, necessarily change the painting technique
and, therefore, the style of the painting.
Many sources credit Jan Van Eyck with being
the first painter to paint using a drying oil binder; however, altar frontals painted
200 years before Van Eyck have been found to have
some colors painted using an oil binder. In order to understand the development
of linseed oil as a binder, I have interviewed conservators and collected
information from the literature to create a timeline/map of where oil binder
came into use, in what form and when.
The map compares this data with information about agricultural practice,
trade and establishment of monasteries.
The data I have collected from analyses of panel and wall paintings from
Norway, Spain, Germany, and England shows trends in the pigments bound in oil
during the 12th and 13th century, verdigris and
vermillion for example, and in the type of isolation layer. I believe that this map and the
associated database will help to establish a set of criteria for more
sophisticated medium analysis in pre-Eyckian
paintings. Therefore, it has the
ability to give insight into the interaction between invention and creativity
for this medium.
I have LOTS of ideas for interesting projects, so
we are happy to talk to anyone interested in this areas about working with us!
This fall I am
teaching Art, Color and Chemistry (Ch145) and Analytical Chemistry I (Ch331).
Ch145 is currently FULL. If you registered for
the course via WINDOW, you MUST come to the first day of class. If you are not
registered (or are on the waiting list), you should come to class the first day
to see if there are any unclaimed seats.
Please keep in mind that this course has a pre-requisite of experience
with artistic media through ArtH101 or 201 or ArtS116 (or equivalent in or out
of
This page is maintained by Laura Muller
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